Tanja Lawhead is a Designer/Filmmaker/Awesome-maker. This is where she goes into project details, chronicles work in progress, and shows off a lot.
Web Design was one of the first industries that emerged out of the Internet. It’s beginning is mainly attributed to marketing companies and graphics designers brining their industry to the web.
After thirteen years it’s become an established medium for branding, art and entertainment. Web Video is now following in it’s footsteps. Video on the web has only recently sky rocketed in popularity.
Beginning around 1995 with streaming media players such as RealPlayer. In 1997 Shareyourworld.com was one of the first video sharing sites but failed mainly due to limited bandwidth.
With the birth of Adobe’s Flash Video codec in 2004 and the increase of bandwidth video sharing sites like YouTube emerged in 2005 popularizing web video. There’s a shift from many TV and Film professionals to the web feeding the demand for web video advertising and entertainment.
Sites like YouTube catered to the users desire to connect and share. The user community varies from vloggers to independent filmmakers. Other video sites cater to a specific community or host certain content such as Funny Or Die, iKlipz and Expert Village. For Advertising video communities can be difficult because of over saturation of content.
YouTube being a good example. There are too many videos being uploaded too quickly for yours to stand out. This video summarizes the most common techniques. Keep in mind these days everyone and their chimpanzee uses them. Under three minute, hilarious content will always stick to web audiences.
The trick is not just cheating the system by uploading tricky thumbnails or changing the title to “boobs”. Recently high quality content in both entertainment and advertising for the web has become a demand. You can only watch this so many times.
Professional talent and original ideas shouldn’t be excluded from the budget to make an effective web advertising campaign. Good examples are ARGs like Batman: The Dark Knight , I Love Bees and iDGi’s projectB6. Combining their techniques with eye-catching web video will insure you stand out and reach your audience.
For independent filmmakers to make a profit from their work many sites have partner programs were ad revenue is shared. To make more profit many use services like iTunes, Amazon or Mandy’s Film Market. Also through merchandising and hosting advertisements on the series/films official webpages.
A good example of this is Dr. Horrible’s Sing-Along Blog which was created by Joss Whedon starring Neil Patrick Harris. It streamed free online and earned it’s revenue from iTunes sales, merchandise, and DVD and Soundtrack.
Web games can incorporate video just like the classic FMV games used to. A simple yet hilarious example being Aliens from Planet Dave or Alexis.
Thanks to technology video has become an effective medium that can be incorporated into anything. From games to web sites and attaching information such as YouTube’s annotations, and Video Clix.
Mixing interactivity and video is an easy powerful creative tool in online advertising and entertainment.
In THE AWESOME: Hit RECord! I wanted to used as much materiel from the community to show how creative and diverse it is. I wanted to push the idea of it being a place of cutting up, remixing and mashing things up to create new wonderful things.
The process was pretty simple. Spend a few days digging up images and video to remix. Then using Photoshop and Apple Motion put it all together.
The bit that took the most time was the “hitRECord” title at the beginning. It was animated in Photoshop. Mainly for the challenge but also for that unique sketchy effect it gives. Original video here.
The G-Technology sponsor video was cooked up quickly as I was moving on to Nebulullaby. I wanted something that illustrates what he’s saying in a playful way and shows how damn cool the product is.
Took photos of my hands and got cellphone pics of the equipment they used and put it all together. Here’s the original video I worked with.
The New Deal remix took about two weeks and three days. A lot of brain-storming about the movement and style. Cutting down of the original video which runs for about ten minutes. I cut it down to about two.
It was all created using Apple Final Cut Pro, Apple Motion and Adobe Photoshop.
The style was inspired by Marke Johnsons designs for the hitRECord Sundance posters and his overall design of the site.
The music was made by hangLOOSE who did an amazing job and figured out what I was looking for right off the bat. Thanks!
When hitRECord was at Sundance 2010 they asked if I wanted to join em’ in making the music video to Sean Ono-Lennon’s brand spakin’ new song. Which had to be done in less than five days. On the fifth day it would screen at Sundance.
It’s like extreme-sports but for post-production. Oh hell yes! Ideas are being tossed right and left at rapid paces, there’s panic mixed with awesome creative energy. Brainstorming madness at the same time you’re putting it all together.
I am a sucker for a challenge. I’d sky-dive with a crocodile while strapped to a time-bomb caring only a toothpick to defuse it just for shits n’ giggles.
Brainstormed together with Cat Solen who was directing and we came up with a concept of a make-shift universe. I’d never done stop-motion so this was an excellent chance to have at it. I was inspired by my favorite comedian/writer/animator/awesome-maker Terry Gilliam and Michel Gondry.
Since the time was so tight I grabbed a couple of friends to pitch in on the construction and photographing of the stop-motion objects. We made them out of various fabrics and paper we had lying about.
I put the stop-motion frames together in Quicktime Pro and brought the .mov into Apple Motion to animate. The background was a piece of fabric I quickly recorded with a small Flip camera. Then decreased the speed to make it move more space like and added some glow and boosted the colors.
Originally I was shooting for making the planet transitions be the camera jumping from planet to planet but my computer had other plans crashing continuously. I opt for a simpler, faster and less memory extensive solution.
I went for movement similar to watching a little puppet theatre where the planets come in from the side as if they’re held by strings. Adding in old film style vignettes to top it off.
The gorgeous footage was shot by Tarin Anderson. I ran it through color adjustment and filters to fit more with the over all look and presto finished in three days.
In the end I had an insanely fun time staying up till the break o’ dawn with the dedicated hitRECord team and fellow RECorders who joined in on Sundance 2010.
More videos of the project here:
First rough concept
Second rough concept
The unedited planets
Nebulullaby Short Film Screened at Sundance
Channing Tatum shot and uploaded to HitRECord.org a sweet little video called “Reluctant Her” featuring Amanda Seyfried performing a beautiful love song she wrote.
It was hard to figure out what should be added to it. Too much would hide Amanda and distract from the song. Too little just wouldn’t count as a remix.
I thought about how the song made me feel and what imagery came to mind. It remedied me of reminiscing over my scrapbook; so that’s what I did!
The first take with the scrapbook was good. My initial idea was to paint into the book. Have scribble like animation. Rotoscoping in lyrics and images as the pages turn.
It would of looked cool but taken a tremendous amount of time to do it right. Also I felt like it might of clashed with the footage if I was just cutting between the scrapbook and her.
I came up with a simple solution. I cut out hearts and squares from green construction paper. Glued it into the scrapbook and keyed it out. Placing the video inside it. Adding in some more videos from hitRECord.org’s awesome community to the mix.
The only problem was the junky matte I pulled from the scrapbook footage. I wanted a candle light setting so I used candles with a little bit of lighting over head. Turns out the camera couldn’t shoot very sharp low-light footage.
From what I’ve learned with my various adventures with chroma keying. For instance this and that. Lighting has to be near perfect especially if you have lower-quality cameras. Otherwise you’ll be spending a lot of time tweaking and trying to make the junky pixel mess or green aura look decent.
I did compensate for the bad keying by giving everything a bit of a glow and old film look. Boosting the contrast and filtering it all to blend together as best as it could.
Next time I just might darken the atmosphere in post and have brighter lighting during shooting. That might turn out better.
The video went through one, two and three revisions before I was happy with it.
All in all it was really fun to take this little moment and create a music video around it. Absolutely loved the song and hope Amanda Seyfried will someday show more of her musical talent.
I just finished Mae Marsh’s “Screen Acting”. It was a very inspiration and informative read, I recommend to filmmakers, actors and film enthusiasts a like.
Here are some good snippets from the book:
“If I were requested to choose from among ten beginners the one who would go the farthest in motion pictures I should unhesitatingly lay my finger upon the one who possessed the following qualifications:
(1) Natural talent.
(2) Ambition.
(3) Personality.
(4) Sincerity.
(5) Agreeable appearance.
(6) Vitality and strength.
(7) Ability to learn quickly.”
“Natural talent, as I have called it, is no more than a tendency toward, or an aptitude for, some form of endeavor.”
“A natural talent for acting implies more than a mere desire to act. It is the art, usually discovered during childhood, of mimicry, and the joy in that art.”
“Ambition must, of course, go hand in hand with natural talent. In any form of vocational training it is assumed that the student has a feverish desire to succeed in the particular line that he has elected to follow. It is the same on the screen.”
“… one has an ambition to gain the top, and that to reach that position one has the enthusiasm to practise all the forms of self-denial, discipline and study that are important to artistic success in any line.”
“Personality is important for the reason that the camera has a way of registering it unerringly. It is keen in detecting the weak or vapid.”
“It is precisely the same with sincerity. In any line there is probably little hope for those who lack this salient quality. But a motion picture camera seems especially to delight in exposing insincerity.”
“I now come to the matter of personal appearance. This is a topic in which every man under 65, and every woman under 100 vears seem interested. I sometimes wonder if it is not the desire to see how they would look on the screen, rather than how they might act, that fills so many boys and girls and men and women with an ambition for a screen career.”
”..it is not only because good health radiates from the screen that it is important. In point of nervous and muscular strain, and the often long studio hours that are necessary when production has begun, good health is essential.”
“My candidate, then, will have strength and vitality and, equally important, he or she will cling to both, whatever social sacrifices may have to be made to preserve them.”
“The ability to learn quickly will save anyone going into screen work so much trouble and possible humiliation that it may well be listed as an essential qualification. The screen is no place for the mental laggard. The beginner, particularly, must be alive to learn the new lessons that each day will bring, and learning them he must remember. During the course of production in a studio things are at high tension. Time is money. Each of us constitutes a more or less important cog in a great machine. Those cogs that inexcusably to function are eliminated.”
The endings probably one of the sweetest endings of any book I’ve read:
“I have enjoyed doing this book. From time to time I have been forced to drop my work upon the urgent appeal of my eighteen-months’ old daughter. She has gorgeous blue eyes with lashes long as twilight shadows. Her cheeks are exquisitely pink and her little mouth is like a rose-bud in spring. Her name is Mary. She has brought me worlds of undreamed of happiness. Someday Mary may want to go upon the screen. Even now she acts before the long mirror. If she can, in any way, secure her mother’s hat she gives a complete performance. My blessed baby! When the time has arrived for her to start upon her career I shall place my little book in her hands and say: ‘There is the most and the best that I knew about the screen back in those old-fashioned days of 1921.’”
This episode of Alexis was to top off the beauty tips series. With the Alexis Beauty Tips series everything was improvised and nothing was written down as opposed to a lot of the episodes which are.
When I started these videos I discovered how much freakin’ fun it is to just ad-lib and go for it. Defiantly doing more of that in my performances. As well as creative work in general, if you plan too much it loses that creative spontaneity that keeps things fresh and interesting to the audience.
The making of it was pretty straight forward. Get the props and make-up out. Put on the outfit. Position the camera. Press record and start the madness. In editing I just adjusted the colors a bit. “Alexis Beauty Tips” title animations were done using Adobe Photoshop.
The rest of the Beauty Tips Series:
Alexis Beauty Tips: Sexy Eyes!!
Alexis Beauty Tips: Big Lips!!
Alexis Beauty Tips: Big Boobs!!
Alexis Beauty Tips: Sexy Hair!!
Writings is something that has always been in the family. From my parents to my grandparents. From poetry to short stories. Story telling was the best way to kill boredom during long trips by car. A great escape from this dull reality.
At thirteen I’d write and perform short stories and poetry in L.A. You can hear my preteen voice read: Heart of Hate and Deep Under The Bright Green Grass.
I used to write a lot. Writing wasn’t enough for me though. I wanted to make my imagination reality. What better way to do that then make a movie? I love a challenge.
I live for it. I’m that crazy person who’ll go skydiving with a crocodile “’cause it’s totally awesome!”.
When I was about fifteen I wrote a screenplay and began making it into a film all by me little self. It was shot against a blue chroma key cloth. Since the only actor I could get was me and there were no locations I could shoot in.
I played both parts of the villain and the hero. Everything else was created and animated in After Effects.
Unfortunately it was never completed and I lost most of it. I did however begin a career in videography and worked for some big names. So what I learned from it payed off. I know it probably would of turned out to be terrible low budget production that would make Ed Wood cry.
It’s the fact that I got off me lazy bum and really wanted to bring this to life that really counts. Quiting right in the middle like that didn’t sit with me very well though.
I vowed to never write again until I had the proper resources to completed a project from start to finished. Over dramatic? Maybe. Just felt defeated and I didn’t want to put my passion into something I knew wouldn’t work.
Sometimes I wish I would of gotten caught up in something other then the movies. I mean, who doesn’t want to be a filmmaker? What pretty girl doesn’t want to act? We are all in it for a hundred million different reasons. Some of us because we love it some of us because we want that oh so pretty fame and glory.
Me? I’m in for the challenge and to finish what I started. I’m taking small steps. Alexis being one of them, but I will. Oh yes. I will finish that damn movie and make it damn awesome.
After I do that. I’ll go and make more. ‘Cause I’m crazy like that. To those chicks (and dudes!) who are fifteen or even younger. If you want to make movies, go and do it. Even if you end up making a few you’ll never finished. The earlier you stack up on experience the better you’ll be at it.
Working and fighting for your dreams is damn worth it. You might not think so, you might even get suicidal and that whole “don’t give up” will just sound empty to you. It’s a damn hard long way but being able to do what you love, is so worth it.
Just so you know. I kept that “never write again” vow up until a few weeks ago. Hanging onto the past is for super heroes who mope in dark corners. Not me.
I’m skydiving with crocodiles! “Whooooooosh! ARGH!! it’s got my FAAACE!”
NIGHTNIGHT by DEDDY